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The pair of releases shared to date by the group Ashnymph are hard to categorise: their personal label of the sound as “subconscioussion” doesn’t offer many clues. Debut Saltspreader blended a jackhammer industrial beat – bandmember Will Wiffen has occasionally been spotted on stage wearing a T-shirt that features the symbol of Godflesh, icons of industrial metal – with vintage-sounding synthesisers and a guitar line that partly brings to mind the classic Stooges track I Wanna Be Your Dog, before transforming into a barrier of unsettling sound. The planned result, the band has indicated, was to conjure highway journeys, “the ceaseless flow of vehicles 24-hours a day over vast spans … amber lights after dark”.

The next release, Mr Invisible, falls between club music and experimental rock. Firstly, the cut's tempo, strata of mesmerizing synths, and vocals that arrive either psychedelically smeared or mesmerizingly repeated in a way that recalls Underworld's Dubnobasswithmyheadman period all indicate the dancefloor. Alternatively, its intense performance-style shifts, brink-of-disorder feel and overdrive – “making everything sound crunchy is a lifelong ambition,” Wiffen has said – mark it out as very much the work of a band rather than a solitary home producer. They’ve been playing around the independent music circuit in south London for less than a year, “anywhere that will turn the PA up loud”.

But each is thrilling and unique – from each other and contemporary releases – to spark curiosity about the band's future direction. Whatever it is, on the evidence of Saltspreader and Mr Invisible, it’s unlikely to be boring.

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